In January 2019, Noah Isenberg began his appointment as the George Christian Centennial Professor and Chair of the Department of Radio-Television-Film. He arrived at UT from the New School, in New York City, where for the previous decade and a half he served as Professor of Culture and Media and as the founding director of Screen Studies. He is the author, most recently, of Well Always Have Casablanca: The Life, Legend, and Afterlife of Hollywoods Most Beloved Movie (W.W. Norton, 2017) which earned a spot on the Los Angeles Times bestseller list, was named an Editors Choice by the New York Times Book Review, was selected as a Summer Book of 2017 by the Financial Times and a Best Film Book of 2017 by the Scotland Herald. In the meantime, it has appeared in Hungarian and Russian translation. Among his other books are: Edgar G. Ulmer: A Filmmaker at the Margins (California, 2014), which the New York Times hailed as a page turner of a biography and Huffington Post selected among its Best Film Books of 2014; Detour (British Film Institute, 2008), a book-length study of Ulmers acclaimed low-budget film noir; and, as editor, Weimar Cinema: An Essential Guide to Classic Films of the Era (Columbia, 2009), which was selected as a Choice Outstanding Academic Title. His introduction to Vicki Baums bestselling novel of 1929, Grand Hotel, appeared with the books reissue by the New York Review of Books Classics in 2016.
His current projects include a book on Billy Wilders Some Like It Hot for Norton; a short interpretive biography of Wilder for the Yale Jewish Lives series; and an edited volume of Wilders journalistic writings, Billy Wilder on Assignment: Dispatches from Weimar Berlin and Interwar Vienna, due out from Princeton University Press in April 2021. In support of his work, he has been awarded grants and fellowships from the National Endowment for the Humanities, the Fulbright Commission, the International Research Center for Cultural Studies in Vienna, and the Alexander von Humboldt Foundation. He serves as a member of the editorial boards of Film Quarterly, the New Review of Film and Television Studies, and the Germanic Review and is a member the advisory board of the joint Bloomsbury/British Film Institutes Screen Studies series. He is a standing fellow of the New York Institute for the Humanities and was a recipient of the inaugural 2015-2016 NEH Public Scholar research awards. A special issue of New German Critique on the history of German-language film criticism and theory, which he co-edited with Gerd Gemünden, is due out in fall 2020.
His writing has appeared in such diverse publications as: The Nation, The New Republic,The Daily Beast, Salon, Times Literary Supplement, Bookforum, New York Review of Books Daily, Film Comment, The Paris Review Daily, Los Angeles Review of Books, The Criterion Collection, The Threepenny Review, Film Quarterly, New German Critique, Partisan Review, Raritan, Wall Street Journal and the New York Times Book Review. From 1995-2004, he taught at Wesleyan University, in Middletown, CT, and has been a visiting professor at the University of Pennsylvania and at Dartmouth College. He holds a B.A. from the University of Pennsylvania, an M.A. from the University of Washington, and a Ph.D. from the University of California at Berkeley.